The piece was transformed from George's original idea of a pastel-type
If interested please contact Teri Galleries for availability at 504-887-8588,
1-800-533-8374 or via email at info@terigalleries.com.
It is with great sadness that we announce the death of a dear friend and internationally-acclaimed artist, William "Bill" Hemmerling. Bill died the morning of June 15th after a 2 year battle with cancer.
The Influence of southern folk culture and many diverse life experiences are incorporated into the eclectic painting of William Hemmerling. Bill was born in Chicago and moved to Ponchatoula, Louisiana in 1977. Upon retirement in March 2002, he finally found time to paint from the heart. He was an untrained artist, yet his work reflects sophistication and creativity in both subject matter and the use of unusual materials. Bill was constantly searching for and using found or recycled materials for his one-of-a-kind creations.
There is an element of fantasy in much of his work and he often painted well into the early morning hours. He explored various themes of New Orleans Jazz musicians, Down By the River, nudes and famous artists and authors. But, he is best known for his series of Southern African American folk culture depicting life in the old south entitled "Sweet Olive". The Sweet Olive images are copyrighted and trademarked.
His love of people, his enthusiasm and his humble, "offbeat" nature have brought a definite excitement and energy to his folk art. In the words of Bill Hemmerling, "One day when I let God out of the box I built, he danced with me".
Additional Notations:
In 2009, Bill was successfully represented at ART EXPO in New York, The New Orleans Jazz & Heritage Festival, and FI-ART in Santo Domingo in the Dominican Republic. He has been honored by the New Orleans Museum of Art, the Northshore Regional Endowment for the Arts, and the African American Heritage Museum in Aurora, Illinois. He was also the 2005 poster artist for the New Orleans Jazz Fest and the poster artist for the 2008 and 2009 Strawberry Fest.
The building next to Bill's home will become The Hemmerling Musuem. The City of New Orleans looks forward to a space that continues to honor and showcase the work of this talented artist.
A portion of all purchases of Hemmerling works through Teri Galleries will be donated to The Cancer Association of Greater New Orleans.
To inquire about making a donation to The Cancer Association of Greater New Orleans on behalf of William Hemmerling, please contact Teri Galleries at 504-887-8588, 1-800-533-8374 or info@terigalleries.com.
A Story of the Jazz Funeral... Courtesy of Wikipedia.org Jazz funeral is a common name for a funeral tradition with music which developed in New Orleans, LouisianThe term "jazz funeral" was long in use by observers from elsewhere, but was generally disdained as inappropriate by most New Orleans musicians and practitioners of the tradition. The preferred description was "funeral with music"; while jazz was part of the music played, it was not the primary focus of the ceremony. This reluctance to use the term faded significantly in the final 15 years or so of the 20th century among the younger generation of New Orleans brass band musicians more familiar with the post-Dirty Dozen Brass Band funk influenced style than the older traditional jazz New Orleans style. A typical jazz funeral begins with a march by the family, friends, and a brass band from the home, funeral home or church to the cemetery. Throughout the march, the band plays somber dirges and hymns. A change in the tenor of the ceremony takes place, after either the deceased is buried, or the hearse leaves the procession and members of the procession say their final good bye and they "cut the body loose". After this the music becomes more upbeat, often starting with a hymn or spiritual number played in a swinging fashion, then going into popular hot tunes. There is raucous music and cathartic dancing where onlookers join in to celebrate the life of the deceased. Those who follow the band just to enjoy the music are called the second line, and their style of dancing, in which they walk and sometimes twirl a parasol or handkerchief in the air, is called second lining.The Art of Alan Flattmann... Public collections include The New Orleans Museum of Art, Ogden Museum of Southern Art, Oklahoma Art Center, Longview Museum of Art, Mississippi Museum of Art, Lauren Rogers Museum of Art, Meriden Arts Association, New Orleans Art Association, University of Mississippi (Ole Miss), Belhaven College and Alton Ochsner Medical Foundation. |
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Peter Ellenshaw has received five Academy Award® nominations, winning the Oscar® for his stunning recreation of Edwardian London in the Walt Disney's classic, Mary Poppins. Throughout the years, Ellenshaw has sought to capture the drama and emotions of many different scenes. His work is represented in both public and private collections worldwide. He has received numerous honors and retrospectives including those by the American Film Institute, the Museum of Modern Art in New York, the Film Institute of Chicago, the Academy of Motion Picture Arts and Sciences, the R.W. Norton Art Museum in Shreveport, Louisiana and has been bestowed the illustrious title of "Disney Legend."
In their first creative collaboration since Disney's, "The Black Hole" (1979), Peter & Harrison Ellenshaw have come together to create "We can Fly". Their first in a series of collaborative works celebrates the 50th anniversary of Walt Disney's, "Peter Pan".
Their next piece will be "20,000 Leagues Under the Sea," which according to Harrison, "was my introduction to Hollywood, at least to the Disney style of epic movie making. This was an exciting time, seeing my father involved in one of Walt Disney's most successful live action films."
Every child has a dream. For Mr. Rogerson, it was to be an artist as well as satisfying his desire to return to his home-state; back to the magical kingdom from which he came. Of course being surrounded by the whimsical images of Disney characters, even after his family moved to North Carolina; his father was an avid Disney collector and supporter, didn’t help curb his appetite for the Sunshine State. However, it was these images that helped form some of Mr. Rogerson’s style, which has begun to earn him critical acclaim.
Greetings,
In honor of this festive Mardi Gras season, we would like to host our own celebration....a celebration of New Orleans' artists! Living in New Orleans means many things. For some it means a continued struggle to rebuild the homes and communities that have been destroyed in the past years; for others it means a long line of tradition and family; while for our city's many visitors it means Bourbon Street, parades, beads and great music!
Regardless of what The Crescent City means to you, the artists that strive to capture the vibrant sounds, colors and emotions of New Orleans should be applauded their efforts. Teri Galleries is pleased to offer some of the finest artists in New Orleans. We encourage you to support the rebirth of New Orleans by investing in local New Orleans' artists and the beauty that they capture through their paint.
For inquiries on New Orleans' artists and the many other international artists that we carry, please contact Teri Galleries at 504-887-8588 or email us at info@terigalleries.com. Happy Mardi Gras!R.C. Davis ..:: View R.C. Davis' "The Spirit of New Orleans" original oil and other works. | |
Matt Litchliter | |
Bill Hemmerling ..:: View Hemmerling's available works and see why he's such a New Orleans' favorite. | |
Alan Flattmann | |
Mickey Asche ..:: View Michey Asche's works and experience his insight into New Orleans' landscape. | |
Goble ..:: View Goble's enchanting works and catch a glimpse of your own childhood. |
As he grew older Chris began studying the lives and painting techniques of a wide range of artist. He taught himself to draw and paint by imitating their methods. At the age of 21, after a two year stint at junior college, R. C. opened a successful sign company.
A decade-and-a half later, a failed marriage, dissatisfaction with the business world, a biography of Van Gogh and a trip to the National Gallery all had a part in convincing Chris to pursue a more fulfilling life. Thus began his career as a fine artist.
Within a short time he was attracting the attention of collectors. Among them were a publisher of fine art prints. The release of those first limitededition prints provided a steady source of income and insured him wider exposure to the public at large. During the last twenty or so years, he has become one of the most beloved artists in the region.
During much of this period R. C. painted the rural world - farmhouses, wildlife and the Louisiana landscape. In 2004 he turned his attention to the city of New Orleans. While many have painted New Orleans, most have painted landmarks devoid of the bustle of daily life. Chris took a different approach. He didn’t focus on one building, but the entire street. And people populated his work - people going about their daily routines.
Even Mardi Gras by Chris is different. Instead of focussing on a float or a few revelers, he provides you with a panoramic view of the entire parade and the buildings that act as the backdrop. You are positioned in the middle of the teeming crowd, but unlike being at the parade, you can see everyone there.
Painting New Orleans reinvigorated R. C. This lead him to travel and expand his repertoire of subjects. His paintings of the Appalachian Mountains and the west have lead to recognition over a much wider area and introduced his work to a multitude of new collectors. He appears to be on the verge of national recognition.
Click here to learn more about R.C. Davis and "The Spirit of New Orleans"
Hessam attended school in Italy where he concentrated on his love of portraiture and studies of the anatomy, although he did study impressionism, surrealism, cubism and modern art. The education attained in Italy, along with the influence of his native Persia, has helped to shape the colorful, dramatic, exciting, bold artwork that can be no other than Hessam. The French press has called his paintings "a statement in the fluidity of human figures.....with tension between each figure, a kinship that provokes the viewer to seek reasons for such relationship."
Click here to learn more about Hessam and this featured piece "Lover's Harmony".
As he grew older Chris began studying the lives and painting techniques of a wide range of artist. He taught himself to draw and paint by imitating their methods. At the age of 21, after a two year stint at junior college, R. C. opened a successful sign company.
A decade-and-a half later, a failed marriage, dissatisfaction with the business world, a biography of Van Gogh and a trip to the National Gallery all had a part in convincing Chris to pursue a more fulfilling life. Thus began his career as a fine artist.
Within a short time he was attracting the attention of collectors. Among them were a publisher of fine art prints. The release of those first limitededition prints provided a steady source of income and insured him wider exposure to the public at large. During the last twenty or so years, he has become one of the most beloved artists in the region.
During much of this period R. C. painted the rural world - farmhouses, wildlife and the Louisiana landscape. In 2004 he turned his attention to the city of New Orleans. While many have painted New Orleans, most have painted landmarks devoid of the bustle of daily life. Chris took a different approach. He didn’t focus on one building, but the entire street. And people populated his work - people going about their daily routines.
Even Mardi Gras by Chris is different. Instead of focussing on a float or a few revelers, he provides you with a panoramic view of the entire parade and the buildings that act as the backdrop. You are positioned in the middle of the teeming crowd, but unlike being at the parade, you can see everyone there.
Painting New Orleans reinvigorated R. C. This lead him to travel and expand his repertoire of subjects. His paintings of the Appalachian Mountains and the west have lead to recognition over a much wider area and introduced his work to a multitude of new collectors. He appears to be on the verge of national recognition.
Thomas Andrew's artwork is collected throughout the United States and Canada. He is quickly becoming one of America's premier landscape painters. His artwork has been shown in Art Business News magazine and has been represented in Art Decor / Atlanta. Moreover, Tom considers himself a colorist and his simplistic rural imagery is his signature.
"My landscapes are meant to instill calm, reflecting the separation we seek from our busy lives." - Thomas Andrew
Mickey’s story begins with great loss in the wake of Hurricane Katrina. As Mickey and his wife, Milo, settled into their beautiful new home in New Orleans, Louisiana, Hurricane Katrina took aim for the city. With insurance not yet in place, Mickey and Milo prayed for a safe delivery on the other side on the storm only to find out that their new home and all of their possessions were destroyed. To add to the loss, Mickey’s job of 21 years was also lost in the storm and a knee injury requiring surgery rendered Mickey unable to pursue other potential jobs. To console and comfort Mickey during his recovery, Milo bought Mickey several books on how to paint to occupy his time. This is how one story ends and a new one begins….
Touching brush to canvas for the first time, Mickey discovered an amazing talent hidden inside. Using this newfound talent, Mickey was fueled by a creative fire that he never knew he had. Within months Mickey was selling his originals to various frame shops and individual collectors. In 2008 he was commissioned to product the official Madisonville Wooden Boat Festival poster. Mickey’s talents quickly led him to a new full-time career as artist.
Three years later, Mickey’s gorgeous landscape paintings are in high demand, selling out in every gallery and exhibition he is featured. Mickey is now managed by the international group Live Oak Editions and is counted amongst a highly respectable group of creative and artistic minds. He has been noted as an “artist to watch”.A New Orleans’ native, Matt’s creative talents were recognized and encouraged early in his life. While attending Southeastern Louisiana University under the Fine Arts program, Matt expanded his notions of creative design and worked to challenge his conceptual processes by experimenting with mixed media, assemblage and found object wall sculpture. “I love working with different textural mediums that alter the experience of my work…plywood, fabric, paper and canvas, each conveys its own set of principles and adds flavor to my creative process.”
Each swirl of the brush captures movement, energy and life within Matt’s recent series of New Orleans’ jazz musicians. The viewer is enticed to observe the subtle flutter of the hands as they pass over the instrument as well as the expression of raw energy emitting from each figure. To add to the overall emotion of his work, Matt many times utilizes found objects salvaged from Hurricane Katrina to add emphasis and additional texture to each piece. “I want to show the resilience of this great city; its triumph and its flaws. It’s an emotion and energy that permeates the core of us all.”
Matt is also available for commissions. Interested collectors should contact Sandy Kasten of Teri Galleries at 504-887-8588 or email info@terigalleries.com. Click here to view originals from Matt Litchliter.